“Hāpaitia i ngā wāhi toi, advocate and amplify,” is the theme for Ngā Wāhi Auaha Creative Spaces Conference 2024, which is on in Wellington from 22 and 23 August.
"We've always had a strong focus on people's wellbeing,” Andrew Mitchell says. “What we're trying to do here is offer support for people who otherwise wouldn't be able to make art."
Jolt will present their performance piece, “Whakapapa” and deliver a dance teacher training workshop at Gathered Together, hosted by Indepen-dance at Tramway in Glasgow.
“Changing lives through art” is Vincents mission statement and offering opportunities for people to have positive creative experiences continues to be one of Andrew Mitchell's key aims in his new role.
Lyndee-Jane Rutherford hopes BATS Theatre and this accessibility project will set a standard for theatre and other live arts.
“Braille is my reading medium and to read the surtitles in real time on my braille display was awesome. The surtitles refreshed when the singer got to the next line without me having to do anything. It was magic."
Meet Katie Querin, who plays an important part in the arts accessibility movement in Auckland as a freelance arts accessibility advisor and consultant.
Creative New Zealand’s latest survey findings are a goldmine, blogs Richard Benge, Executive Director of Arts Access Aotearoa.
Stories are powerful and can affect change. They can explain, connect, challenge, entertain and heal through many creative mediums.
Breaking the cycle of trauma and addiction is a driving motivation of Chris Ranui-Molloy's work, who is keen to deliver his creative therapeutic programme to men in prison.
Supporting rugby players with brain injury is the aim of Connect the Dot's pilot programme.
"We're talking about a good, ordinary life. A life rather than an existence," writes Stace Robertson.