All Content
Mark Amery writes about 'a giant blanket' Te Whare Pora created by the Mata Aho Collective as this summer’s annual residency at Enjoy Gallery.
It begins well. Approaching City Gallery Wellington’s survey of ten years of Ben Cauchi’s photography you’re greeted by a line of nine small, framed photographs of spot lit white gloves.
For all the Kermadec project’s magic, Mark Amery finds the actual exhibition overblown and unrefined.
Mark Amery writes on a gathering together of New Zealand’s old European painting at Te Papa, 'Angels and Aristocrats'.
Mark Amery on the legacy of the Wellington Media Collective and how it has been picked up by publishing collective White Fungus.
Shannon Reed and Mark Henley find a pure poetry in the materials we construct walls around ourselves with, writes Mark Amery.
Mark Amery takes a drive around the mountain, visiting two significant exhibitions in Taranaki.
Mark Amery looks at In Spite of Ourselves: Approaching Documentary at New Dowse, Wellington.
Come play NZ's community piano at Te Papa, writes Mark Amery.
Wellington painter Rob McLeod deserves wider recognition as one of New Zealand’s finest, argues Mark Amery
Mark Amery on Fiona Pardington bringing new life to the still-life.
Mark Amery looks at the rich visual arts offerings in this year’s New Zealand International Film Festival.