The artists involved are: Elger Esser, Haruhiko Sameshima, Sarah Schönfeld and Shmuel Hoffman, Jeremy Diggle, Anne Noble, Ann Shelton, Wayne Barrar, Grit Schwerdtfeger, Eva Leitolf, Doris Frohnapfel, John Di Stefano, Frank Breuer, Karin Apollonia-Müller, Fiona Amundsen and Mark Adams.  Sightseeing’s German influences not only reflect on Germany as the birthplace of picture postcards, but on the way that landscape and tourist photography are closely allied.  It responds to a generation of photographers who have adopted the postcard format as their own, and as a medium of its own.

“The project highlights the way that artists travel and make research,” says curator, Hanna Scott, “Their images are often fuelled by an unusual impulse, like Wayne Barrar photographing underground spaces, or Ann Shelton following in the footsteps of a woman billed by media as America's first female serial killer." 

Scott is fascinated by the idea that we might experience landscapes primarily through photography, rather than with real experience. She says the concept evolved from an interest in travel seen through someone else’s eyes.

Sightseeing is both an exhibition and a book, the box set of colour and black and white, concertina folding postcards “literally become the exhibition, unsettling that way that we traditionally use postcards to venerate the landscape, because these sites are not typical tourist sites,” says Scott.

Sightseeing has its New Zealand première at TheNewDowse on the same day as its world première closes in Plymouth, UK. It will then travel to Germany and other European sites.

Supported by The Goethe Institut, Massey University College of Creative Arts, Federal Foreign Office and Creative NZ.