On Further Thought: an art history lecture series – Emma Ng

The first in a six-part series of winter kōrero brought to you by Te Pātaka Toi Adam Art Gallery.

New exhibitions at Te Pātaka Toi Adam Art Gallery tap a creative vein in responses to our endangered planet

These exhibitions demonstrate how creative practitioners are responding to and finding visual, material and aural means to engage with the deep history and precarious present of our planet.

Mass media targeted in new exhibition of moving-image works

Image Processors, Te Pātaka Toi Adam Art Gallery’s new exhibition surveys a history of moving-image works that focus on mass media.

Adam Art Gallery’s new intern announced

Millie Riddell is Adam Art Gallery's intern for 2020

Adam Art Gallery’s inaugural curatorial intern announced

Art History student Lachlan Taylor has been selected to take up the inaugural curatorial internship at Adam Art Gallery Te Pātaka Toi at Victoria University of Wellington.

Rethinking the relation between art and the body

Rethinking the relation between art and the body

Exhibition a “homecoming” for ambitious contemporary artist

Bad Visual Systems centres on the work of New Zealand artist Ruth Buchanan who conceptualised and designed the exhibition in response to the interior spaces of Victoria University of Wellington’s on-s

Adam Art Gallery revisits art history in three new shows

Adam Art Gallery revisits art history in three new shows Adam Art Gallery will unveil three new exhibitions this week that revisit neglected or overlooked aspects of art history.

Can you see time? Four artists visualise an extended present

Landscape Aesthetics in New Zealand: A Discussion

Thursday 20 March, 6pmAdam Art Gallery

After the Event: Symposium

SYMPOSIUM: AFTER THE EVENT Friday 9 August – Saturday 10 August, 2013 Adam Art Gallery and Victoria University of Wellington’s School of Architecture A symposium bringing together artists, ar

Life goes on—a poetic perspective on disaster

Life goes on—a poetic perspective on disaster Can the imagination be an effective tool for dealing with catastrophe? The work of two artists, Lieko Shiga from Japan and Paul Johns from Christch